Bob Dylan: The 1966 Live Recordings. Has a real working zipper attached to the cover. Bob Dylan's life and music. Alice Cooper —— Zipper Catches Skin Heavy Metal >>1982. Bob Dylan —— Live At The Gasight 1962 Folk-Rock >>2005. The: Bob Dylan Live 1966. Workplace Wellness Programs Statistics On Domestic Violence there. Bob Dylan's 1981 song 'Lenny Bruce' from his Shot of. And although this does not specifically refer to Lenny Bruce, the live version. 1966: The Lenny Bruce.

LOS ANGELES—If you looked hard enough you could trace the grin on Bob Dylan, watching, then politely, clop, clop, applauding a jelly-belly dancer Bill Graham had hired to entertain. He had also clapped for the strolling trio—two violinists and an accordion—that had serenaded during dinner, schmaltzing up to each table with love songs like 'Fascination,' 'What Now, My Love' and 'Somewhere My Love' on this Valentine's Day. The scene was the crew dinner, put together by Bill Graham for the 18 employees of his FM Productions. They had been in front of and behind Dylan and the Band—setting up and taking down the stage, sound and lighting through 39 shows in 21 cities since January 3rd in Chicago.

Now, at 7:45 PM, the 39th show over only minutes before, they were gathered, along with Bob Dylan and the Band, at the Forum Club, a banquet facility within the Fabulous Forum, home of L.A.' S basketball Lakers and hockey Kings. They were here, in this spread of rooms usually held for big businessmen/season ticket holders, for a quick round of roast beef and congratulations. Graham kept the back-patting short. One quick speech thanking the crew and 'the six great musicians' for doing their jobs so well. And, to each musician, a handshake and a memento: a wooden plaque, in the shape of a guitar, embossed with the signatures of Graham and the FM Productions crew. The stringed strollers and the belly roller gave dinner a leisurely glow.

But, in fact, the room was cleared within another hour. Just before nine, everyone—except for other special guests like the wives of the performers—were off to the backstage area. There was one more to go.

Before the first concert in Chicago, Bob Hilburn, the music columnist for the L.A. Times, kept elbowing and tugging at me. 'Don't you feel the expectancy?' He asked repeatedly, awe-eyeing the crowd. 'Don't you feel the excitement?' The most obvious excitement came from inside Hilburn, and that was fine. But the audiences, if any generalization could be made, were simply calm, ready for anything.

But in Los Angeles, it had to be different. If there were a hard-ticket show on the tour, this would be the one. Roger McGuinn, the Byrd who showed Dylan how his folk lyrics could be rocked, was unable to get a ticket at the last minute. The previous evening, Jerry Garcia, who'd seen the concert two days before in Oakland, was at the Forum box office. Someone, he said, had claimed his will-call ticket, and he was standing there, copyrighted 'What, me bummed?'

Smile on his recently shaven face. He was hoping to get word in to Bill Graham. He never did. At the final show, the Fabulous Forum, which is in Inglewood near the airport, was dotted with stars; Carole King, Ringo Starr, Neil Young, David Crosby, Helen Reddy, Eric Burdon, Ramblin' Jack Elliott, Richard ('Cheech') Marin, Dory Previn, Jack Nicholson, Warren Beatty and, off to the side, Joan Baez. Other celebs, at the first two shows, included Rick Nelson, Neil Diamond, Dan Hicks, Jackie DeShannon, and two of Dylan's Village friends, now with him on Asylum Records: David Blue and Bob Neuwirth. Joan Baez, once close to Dylan, prefers not to talk about him. 'It always makes me feel miserable afterwards,' she told me in San Francisco.